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Symphony No. 2 in B minor by Alexander Borodin was composed intermittently between 1869 and 1876. It consists of four movements and is considered the most important large-scale work completed by the composer himself. It has many melodic resemblances to both ''Prince Igor'' and ''Mlada'', two theatre works that diverted Borodin's attention on and off during the six years of composition. ==Composition== Although he had a keen interest in opera, Borodin's scientific research and teaching duties as an Adjunct professor of Chemistry in the Medico-Surgical Academy at St. Petersburg since 1874 interrupted his composition of the Second Symphony. As a result, this symphony took several years to complete. Immediately after the successful premiere of his first symphony in E-flat conducted by Mily Balakirev at the Imperial Russian Music concert in 1869, Borodin began writing the Second Symphony in B minor.〔Gerald Abraham, foreword to Alexander Borodin, "Symphony No. 2 in B minor," 1869-76 (London: Ernst Eulenberg), ii.〕 That summer, he left off work on the piece in order to work on ''Prince Igor'' (Knyaz Igor), an opera based on a 12th-century epic "the Story of Igor's Army," suggested by his friend and first biographer Vladimir Stasov. Borodin suddenly decided to abandon ''Prince Igor'' in March 1870, criticizing his own inability to write a libretto that would satisfy both musical and scenic requirement.〔Robert W Oldani, "Borodin, Aleksandr Porfir’yevich," in Grove Music Online, () (accessed 10 March 2009).〕 He told his wife, "There is scarcely any drama or scenic movement… Anyhow, opera seems to me an unnatural thing… besides I am by nature a lyricist and symphonist; I am attracted by the symphonic forms."〔Abraham, foreword to Borodin's Symphony, ii.〕 Soon after setting ''Prince Igor'' aside, Borodin returned to the B minor Symphony, assuring Stasov that the "materials" created for the opera would be used in the newly revived symphony. According to Stasov in an article contributed to the "Vestnik Evropi" in 1883, Borodin told him more than once that in the first movement he wished to depict a gathering of Russian warrior-heroes, in the slow movement the figure of a bayan—a type of Russian accordion, and in the finale a scene of heroes feasting to the sound of guslis—an ancient plucked instrument.〔 He composed most of the first movement in April 1870, and he wrote it out onto a piano score a year later, in spring 1871. In that same year he sketched the Scherzo and Andante. That summer he orchestrated the first movement, and in October he drafted the finale.〔Abraham, foreword to Borodin's Symphony, iv.〕 Borodin's work on the symphony was again interrupted when the Director of the Imperial Theatres, Stephan Gedenov, asked him to collaborate on an extravagant opera-ballet Mlada with other members of Vladimir Stasov's "mighty little heap," namely Cesar Cui, Modest Petrovich Mussorgsky, and Nikolai Rimsky-Korsakov.〔Francis Maes, A History of Russian Music: From Kamarinskaya to Babi Yar, translated by Arnold J. Pomerans and Erica Pomerans (Berkeley: University of California Press, 2002), 7.〕 In his usual fashion of composing, Borodin borrowed heavily from earlier works, in this case ''Prince Igor''. The show was ultimately cancelled because of production costs, and Borodin once again turned to the B minor Symphony.〔Abraham, foreword to Borodin's Symphony, iv.〕 A new interest took his attention away from the composition once again in the fall of 1872 as the Tsar Alexander II's government passed legislation allowing women to take advanced medical courses. As an advocate of the new campaign, Borodin became the founder of a School of Medicine for women, where he taught several courses. Despite these distractions, Borodin finished the piano score in May 1873.〔Oldani, "Borodin, Aleksandr Porfir’yevich."〕 The following academic year (1873–74), more and more aggravated that he was not receiving support or recognition for his scientific work, he published his last paper on aldehydes and turned to teaching; it was at this time that he became director of the Medical-Surgical Academy's laboratory facilities. Meanwhile, he also took up ''Prince Igor'' again and worked on orchestrating the final three movements of the symphony, although this work was not ultimately completed until 1875.〔 In the autumn of 1876, the Russian Musical Society showed an interest in performing the symphony; however, Borodin was disconcerted to find that he had lost the full score.〔 Although the middle movements were eventually found, he had to reorchestrate the outer two movements while sick in bed. The work was premiered 10 March 1877〔26 February/10 March. Dates in scholarly texts for this and other Russian works are frequently showed with both the earlier Eastern Orthodox liturgical calendar dates, and later Gregorian calendar dates; Russia used the Eastern Orthodox calendar until the fall of tsarist Russia with the beginning of the communist regime when Lenin changed to the Gregorian calendar.〕 under the baton of Eduard Nápravník.〔 This symphony fits in the debate over the merit of folklore elements and traditional western art music values, which was a central conflict of Romantic nationalism.〔Maes, A History of Russian Music, 8.〕 The work was popular, but according to Rimsky-Korsakov, only enjoyed "moderate success" because Borodin had written the brass part too thickly.〔 Borodin's relationship with Liszt also had impacted his symphonic writing. Later in 1877, Borodin traveled to Germany in order to enroll some of his chemistry pupils in Jena University. While in Germany, Borodin visited Liszt in Weimar where the two played through both of Borodin's symphonies in four-hand piano arrangements. Liszt had been an admirer of Borodin's music and he arranged performances of Borodin's symphonies, making them the first Russian symphonies to be received abroad. Regarding Borodin's attempt to revise his score, Liszt said, 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Symphony No. 2 (Borodin)」の詳細全文を読む スポンサード リンク
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